Author: OMN-srbija

Nagrada “Dobro drvo” stručnog žirija za najbolju predstavu u celosti – “Bebidron”, Nezavisna produkcija Praktikabl – Plesni kolektiv Pokretnica

OBRAZLOŽENJE STRUČNOG ŽIRIJA koji je radio u sastavu dramska pedagoškinja Ljubica Beljanski-Ristić, glumac-lutkar Jovan Caran i glumica Smijana Marinković:

“BEBIDRON”
Nezavisna produkcija Praktikabl – Plesni kolektiv Pokretnica iz Novog Sada sa plesnom predstavom za bebe i roditelje “Bebidron”, otvorila je novo poglavlje predstava za najmlađi uzrast svojim visokim kvalitetom, estetskim postignućem, stvorenom atmosferom i imaginarnim svetom pokreta, gesta, izraza koji oživljava prazan prostor uvodeći poetiku teksta i simboliku priče, predmete iz svakodnevnog života bebe preko kojih ostvaruju punu komunikaciju sa svojom malom publikom. I bebe i roditelji poneće ovo iskustvo i doživljaj pozorišta kao vrednost koju treba negovati, podržati i uvesti na velika vrata u veliki svet pozorišta.

Nagrada “Dobro drvo” dečijeg žirija za predstave najbliže deci – “Error 404” (Greška 404), Ángeles de Trapo (Teatro de títeres) (Malaga, Španija) i “Nedostajanje”, Pozorište Lutaka Niš

OBRAZLOŽENJE DEČIJEG ŽIRIJA PU “Razlicak” iz Bačke Palanke koji je radio u sastavu: Aleksandra, Anđelija, Beba, Bogdan, Kolja, Lola, Nikola, Maša i Sofija, pod mentorstvom dramske spisateljice Tijane Grumić:

Error 404 je dobra predstava zato što ima zanimljivu scenografiju, glumac odlično animira lutku, ima i smešnih i ozbiljnih scena, a nastala je po životnoj priči i veoma je poučna.
Nedostajanje je dirljiva priča o prijateljstvu u kojoj glumci lepo animiraju lutke, prave muziku na sceni, a i same lutke su lepe. Glumci se takođe igraju rečima, što je veoma zanimljivo, a predstava nije nimalo strašna ili tužna.
Međutim, osim dve nagrađene predstave, želimo da pomenemo i predstavu Ne idi daleko. Ova predstava, iako nije bila namenjena našem uzrastu, mnogim ljudima je otvorila dušu i ulepšala veče. Predstava je sve vreme bila zanimljiva, iako je bila dugačka. Svaki delić predstave su glumci divno dočarali, a svakog trenutka su bile druge emocije i osećanja. Čestitamo nagrađenima i jedva čekamo sledeći FEP!

Nagrada “Dobro drvo” žirija mladih za predstavu najbližu mladima – “Ne idi daleko”, Dečje pozorište Subotica

OBRAZLOŽENJE ŽIRIJA MLADIH koji su činili polaznici škole glume Dramskog studija “Proscenijum”: Sofija, Višnja, Vukašin, Iva, Luna, Milica i Mirjana, pod mentorstvom glumice Marije Čuture:

Priča nas je izuzetno emotivno dotakla i skrenula pažnju na vrednost i značaj porodice. Ukazala jasno na strahote i besmisao rata čije posledice dovode do rušenja odnosa u porodici i prekida jednog nevinog, čistog, razdraganog detinjstva.
Istovremeno, uz malo govora, pokretom i naracijom, uokvirenih muzikom, predstava je uspostavila odnos sa nama kao publikom i prenela nam jasnu poruku da se za prave vrednosti treba boriti, a da je najjače oružje ljubav.
Sa nestrpljenjem iščekujemo 30. Festival ekološkog pozorišta za decu i mlade, jer MI VOLIMO FEP.

Nagrada “Dobro drvo” za najbolju predstavu po oceni publike – “the Boy and the Ball” (Dečak i lopta), Stephen Noonan u partnerstvu sa The PaperBoats

OCENE PUBLIKE
1. “Dečak i lopta” – 4,89
2. “Ne idi daleko” – 4,88
3. “Bebidron” – 4,85
4. “Error 404” – 4,77
5. “Nedostajanje” – 4,66
6. “Gospodin i gospođa Kraft” – 3,53

Dodeljene su i dve SPECIJALNE NAGRADE od strane stručnog žirija.

“Ne idi daleko”, Dečje pozorište Subotica – za energiju kolektivnog duha

Dečje pozorište Subotica predstavom “Ne idi daleko” uspešno nastavlja da se ostvaruje kao savremeno i hrabro pozorište za decu i mlade, istražujući kako na polju forme, tako i sadržaja interdisciplinarno i kroz procese koji uključuju ansambl u nove pristupe rada na predstavi. Predstava, kroz priču o jednoj srećnoj porodici i uticaju rata na njen život, na snažan i emotivan način progovora o zajedništvu u okolnostima koje u nju unose i menjaju spoljašnji razarajući uticaji, ostavljajući tragove koji teško mogu da se izbrišu i vrate prethodno stanje jer zahtevaju vreme, veliko zalaganje, razumevanje, odgovornost, neodustajanje, međusobnu podršku i duboku potrebu da se ostvari željeno, da se očuvaju vrednosti i ne izgubi sopstveno delovanje i svest o svom životu u svetu koji ih okružuje i vremenu u kome žive. Predstava nam otkriva ekologiju duše, međuljudskih odnosa i preobražaj iz ličnog u društveni angažman. U punom smislu upućuje nas na prepoznavanje, snagu i hrabrost madih generacija da mogu budu i jesu pokretači promena.

“the Boy and the Ball” (Dečak i lopta), Stephen Noonan u partnerstvu sa The PaperBoats – za interaktivni i pedagoški pristup

Stephen Noonan u partnerstvu sa The Paper Boats iz Albertona u Australiji, sa neverbalnom predstavom “Dečak i lopta” pune neverbalnih slika i vizuelne magije, otkriva svoje izuzetno glumačko i pedagoško iskustvo u interakciji sa najmlađom publikom. Gradeći priču bez reči nudi raznovrsnost vizuelnog doživljaja i razumevanja vizuelnih misli, stvarajući blisku povezanost sa svojom malom publikom budući da upravo za njih osmišljava posebne predstave prema njihovom uzrastu i potrebama postižući pun efekat koristeći igrovne i upotrebljene delove određenih materijala kao elemente za poziv na igru i neposredno uključivanje u predstavu.

Naslovna fotografija: Jovana Semiz

Osječki studij glume i lutkarstva jedinstven je u europskim okvirima jer razvija paralelne izvođačke kompetencije u glumačkom i lutkarskom aspektu, šireći mogućnosti i prostor djelovanja i stvaranja budućih glumaca i lutkara. Pridruži li se tomu studij neverbalnog teatra, koji uz glumu i lutkarstvo postoji na MA razini, dobivamo izvođača kompetentnog u svim aspektima izvedbenih umjetnosti.

Uz izvođačke aspekte, studij Glume i lutkarstva usmjeren je prema izvođačkoj i autorskoj samostalnosti, što budućim glumcima i lutkarima olakšava snalaženje i pozicioniranje u okruženju ansambla ili oblikovanje umjetničkih svjetova i izraza u prostoru nezavisne umjetničke slobode.

Jesenski razredbeni ispiti održat će se u Osijeku od 4. do 8. rujna, a sve potrebne informacije pronađite na stranici AUK i na broju telefona 031 253 300.

Naslovna fotografija: Diplomska predstava studenata AUK, “Smrt ili o životu” / Kristijan Cimer

Osim u Podgorici, gdje će mališani moći da uživaju u čarima jedinstvenog svijeta lutaka, u Velikoj sali KIC-a “Budo Tomović” i sali DODEST, pozorišne trupe će odigrati predstave i za mališane u Bijelom Polju, Rožajama, Andrijevici, Gusinju i Nikšiću.

Kako su podsjetili organizatori, kao i svake godine, ulaz na sve sadržaje Festivala biće slobodan, a publika će karte moći da preuzme sat vremena prije početka svake predstave. Rezervacije neće biti moguće.

Svečano otvaranje festivala zakazano je za četvrtak, 31. avgust, od 20 sati.
Program će početi predstavom Zlatokosa, koju će izvesti Pozorište lutaka iz Mostara.

Ovogodišnji program Festivala okupiće šest glumačkih trupa iz pet zemalja, i to iz Bosne i Hercegovine, Srbije, Albanije, Sjeverne Makedonije i Bugarske.

Festival se održava uz podršku Ministarstva kulture i medija, Sekretarijata za kulturu i sport Glavnog grada Podgorica, te ostalih sponzora, donatora i prijatelja.

ČETVRTAK, 24. AVGUST

10h / MUZEJ GRADA

RADIONICE

17h i 20h / DS PROSCENIJUM

– Takmičarski program:

“Error 404” (,,Greška 404″)

Ángeles de trapo / Malaga (Španija)

Uzrast: 8+

Lutkarska neverbalna predstava

21h / SALA GRADSKOG BIOSKOPA

– Program svečanog otvaranja:

,,Marso”

Monodrama Nikole Milakovića

Uzrast: 7 – 107

Teatar pokreta i pantomime

PETAK, 25. AVGUST

10h / MUZEJ GRADA

RADIONICE

9h i 11h / MUZEJ GRADA

– Takmičarski program:

,,Bebidron”

Nezavisna produkcija Praktikabl – Plesni kolektiv Pokretnica / Novi Sad (Srbija)

Uzrast: 0 do 18 meseci

Plesna predstava za bebe i roditelje

18h / DS PROSCENIJUM

– Takmičarski program:

“the Boy and the Ball” (,,Dečak i lopta”) 

Stephen Noonan u partnerstvu sa The PaperBoats / Alberton (Australija)

Uzrast: Za četvorogodišnjake

Neverbalna predstava

20h / SALA GRADSKOG BIOSKOPA

– Takmičarski program:

,,Nedostajanje”

Pozorište lutaka Niš / Niš (Srbija)

Uzrast: 5+

Lutkarska predstava

SUBOTA, 26. AVGUST

10h / MUZEJ GRADA

RADIONICE

17h / SALA GRADSKOG BIOSKOPA

– Takmičarski program:

“Mr&Mrs KRAFT – una storia di maschere di carta“ (,,Gospodin i gospođa KARTON – priča papirnih maski”)

Neamera Teatro / Kadiz – Andaluzija (Španija) i Leče (Italija)

Uzrast: 5+

Neverbalna predstava

19h / DS PROSCENIJUM

– Takmičarski program:

“the Boy and the Ball” (,,Dečak i lopta”) 

Stephen Noonan u partnerstvu sa The PaperBoats / Alberton (Australija)

Uzrast: Za četvorogodišnjake

Neverbalna predstava

19:30h / MUZEJ GRADA

JAVNO ČITANJE tekstova savremenih autora namenjenih za izvođenje u pozorištu za decu i mlade

21h / SALA GRADSKOG BIOSKOPA

– Takmičarski program:

,,Ne idi daleko”

Dečje pozorište Subotica / Subotica (Srbija)

Uzrast: 12+

Dramska predstava

NEDELJA, 27. AVGUST

12h / SALA GRADSKOG BIOSKOPA

– Svečana dodela nagrada

– Predstavljanje radioničarskog stvaralaštva

– Predstava u čast nagrađenih:

,,Pradevojčica”

Narodno pozorište ,,Toša Jovanović” / Zrenjanin (Srbija)

Uzrast: 6+

Lutkarska predstava

JUDITH BETHKE, Germany

Judith Bethke (1998) is a student of Applied Theatre Studies in Gießen (Germany), and her first contact with New Circus and with Figure and Object Theatre happened during her one-year stay abroad in Zagreb (Croatia). Since the beginning of her studies in 2019, she has been conceptualising, writing, performing and organising, building costumes, and experimenting with sound and artistic and pedagogical research – mostly on socio-political issues. She works in the independent theatre scene: solo, in the “geteiltdurchdrei kollektiv” (collective for theatre for young audiences) and in changing project collectives. Since October 2022, she has studied Directing as a guest student at the Academy of Performing Arts in Sarajevo (Bosnia and Herzegovina).

DANILO BRAKOČEVIĆ, Serbia

Danilo Brakočević (1994) is an audiovisual artist and a writer from Belgrade, Serbia. He completed his bachelor’s and master’s studies in acting at the Academy of Arts in Novi Sad (Serbia), after which he spent a year in Bergen (Norway) studying theatre in education at the University of Bergen and a year studying intercultural communication at the Shanghai Theatre Academy. Apart from acting, he is writing film reviews for Filmoskopija, making theatre for children and young audiences, and writing plays, poetry and prose.

IVANA VUKOVIĆ, Croatia

Ivana Vuković (1992) holds a Master of Arts degree in Dramaturgy and Comparative Literature Bachelor’s Degree. She writes for theatre, film and television and collaborates on film and theatre projects as a dramaturge. Her plays are staged in institutional theatres, on the independent scene, and performed as radio plays. For her play ‘’55 Square Meters” she got Marin Držić Award for best play in 2019. She won a few awards for original texts and adaption for theatre for young audiences. Performances she worked on as an author or dramaturge were shown at the most important national and regional theatre festivals. She attended various workshops regarding screenwriting, theatre, and contemporary circus. She is a proud member of Croatian Screenwriters and Playwrights Guild.

ANŽE VIRANT, Slovenia

Anže Virant (1988) studied theatre directing at Menu Fakultetas in Lithuania for a year. After the final graduate production, he enrolled in the study of dramaturgy at AGRFT, University of Ljubljana, where he graduated in 2016. He is a founding member of the Artizani theatre group, which has received several national and international awards for its work, and is the recipient of the Prešeren Student Award for his work on the editorial board of the Oderuh magazine. He currently works as a self-employed cultural worker with several NGOs and public institutions. He also cooperates with the Slovenian Public Fund for cultural activities as a professional accompanist of puppet and children’s theatre groups, as a member of juries and as a leader of seminars in the field of puppet theatre. He is the president of the Ustanova lutkovnih ustvarjalcev (Puppet Creator Foundation).

MAURICIO ARIZONA GARCIA, Mexico

Mauricio Arizona Garcia (1992) is a scenographer, light, costume and production designer from Chihuahua (México) with seven years of experience in the field of performing arts. He graduated from the National School of fine arts in the theatre department with a major in lighting design in México. He began his career as an assistant in production, technician and design with world rename designer Mauricio Ascencio, with whom he has worked on more than 30 projects (dance, theatre, opera). As a solo designer, he worked in theatre, contemporary dance, opera and music as director and founder of the theatre group directed “Una canasta de limones” for the first years. He created two pieces for pre-schoolers, “Una Ciudad de montañas ” and “Tipi tipi”. As an installation artist, he created and researched ten free-play installations with babies and their families.

RANA GHADERI, Iran/Spain

Rana Ghaderi (1988) is a writer, director, actress & teacher in Theatre for Young Audiences (TYA). She began her career in TYA in 2011, collaborating on numerous local and international theater projects and festivals. Throughout her career she received several awards for her writing, directing, and acting. From 2017 to 2018, she served as a Next Generation Research Workspace member hosted by TheaterHaus Frankfurt. Seeking to explore innovative methods and media for storytelling, she embarked on a master’s degree in digital film studies at the Universal Art School in Valencia, Spain, starting in 2022. In the same year, her first novel, ‘The Black Hole’ ,an allegory in praise of Theater & Storytelling, was published by Mehri Publication in London, UK. Her collection of poems for children; ‘The Noblest Creature & The Others’ was published by the same publisher in June 2023.

ILIA BOIAZNYI, Russia/Israel

Ilia Boiaznyi (1989) was educated as a classical actor at the Academy of Theatre Arts GITIS and as a puppeteer at Obraztsov Theatre in Moscow. After that he was trained in physical theatre and clownery by masters from Israel, Great Britain, Denmark, Spain, Portugal, USA, etc. He works as an independent director, performer, producer and teacher in different fields and genres, focusing on research of theatre for young audiences and taking part at relevant festivals and laboratories. He has extensive experience in inclusive performances and co-founded the Association of Hospital Clowns. Currently, he lives in Israel, working on interactive theatrical language that will help children of different ages to focus on simplicity, paradox and laughter. Member of ASSITEJ Israel.

DANICA RAJKOVIĆ, Montenegro

Danica Rajković (1999) graduated from the Acting department at the Faculty of Dramatic Arts in Cetinje (Montenegro) where she is currently employed as a teaching assistant. She worked on over twenty theatre plays and over ten film and television projects. She has also done dubbing for cartoons and commercials. She participated in the organization of several film and theatre festivals over the years. She speaks English and Italian.

NIKOLA BUNDALO, Bosnia and Hercegovina

Nikola Bundalo (1999) graduated from the Theatre and Radio Directing Department at the Faculty of Dramatic Arts in Belgrade (Serbia). Currently, he is a master’s student at the same faculty. From an early age, he was a member of the youth section at the Children’s Theater in Banja Luka (Bosnia and Herzegovina). He is the organizer and creator of the cultural and humanitarian manifestation “Week for Us” (Week of Culture and Art), which has been held in Banja Luka for six years.

SHWETA SINGH, India

Shweta Singh (1994) is a theatre actor, drama facilitator, and storyteller. She studied Theatre in Education during a residency program at the National School of Drama, India. She has a Master’s degree in Gender studies from B.R. Ambedkar University in Delhi (India). Besides gender, her interests are dancing, painting, making masks, reading books and writing stories. She is a trained Chhau (Seraikela) dancer. She has training in Kalaripayattu and Koodiyattam, traditional performing arts forms in Kerala, India.

HASSAN RAZA BUKHARI, Pakistan

Hassan Raza Bukhari (1996) is a professional actor who has been in the industry since he was 17. He holds a degree in Theatre, Film and Television Studies and currently works as a Regional High School Drama Teacher. Hassan has gained recognition as an actor, director, comedian, playwright, and improv performer. He has showcased his work not only in Pakistan, but also in Turkey, India, South Korea, China, Sri Lanka, UAE, and South Africa.

AMILA BAŠIROVIĆ, Bosnia and Hercegovina

Amila Beširović (1990) is a Bachelor of Applied Mathematics and Master of Dramatic and Audiovisual Arts in the Field of Applied Theater. She has been a member, drama pedagogue, actress, director, and playwright in the Youth Theatre Tuzla (Bosnia and Herzegovina) for 16 years. Amila has won many awards and recognitions for her work. Her playwriting work has dealt with topics that point to the problems of young people in the community and encourage young people to think and create changes. She is a co-founder and a professor at the “Contemporary – Art High School” in Tuzla which uses applied theatre and drama as learning methods. She is also a drama pedagogue at the Private preschool institution “Tooth Fairy”, president of the Association “Tuzla Youth”, and coordinator of many projects made for and dedicated to young people.

LAURA LEUPI, Switzerland

Laura Leupi (1996) is a student of theatre studies and cultural analysis in Gießen (Germany), Bern and Zurich (Switzerland). Laura works as a cultural journalist for the theatre and writes prose and performance texts in various collectives. Laura creates sprawling text collections, performative interventions or participatory DIY actions. Laura was an artist in residence at the Dogo Residence for New Art and is reading at this year’s Ingeborg Bachmann Prize.

ALUMNUS
Participants of the previous Next Generation program in Sweeden.

HELENA TEZZA, Brazil

Helena Tezza (1997) is an actress who has been working with the Ave Lola Company since 2013. In 2016 was nominated and won a Gralha Azul Award for best-supporting Actress for her work in Ave Lola’s “Nuon”. Working with the Ave Lola Company, Helena participated in numerous national and international tours. She also works as a costume designer and teaches acting to children of different ages at the Pequeno Principe Hospital, a pediatric hospital in Brazil.

KIKULWE TEBANDEKE JOSEPH, Uganda

Kikulwe Tebandeke Joseph (1989) is a dancer and choreographer. His artistic vision goes beyond traditional dance, incorporating drawings and sculptures to create contemporary art. He collaborates with other artists and communities to address social issues, particularly those surrounding ability. Through his own body, he has created a dictionary of abilities. He is dedicated to developing a physical practice encompassing local and global dance traditions and movement practices. Despite being part of a sector and society that often marginalizes individuals with disabilities, he strives to mobilize local communities and change the narrative around disability. He is committed to decolonizing dance as a language accessible to all, celebrating diversity and different notions of ability, and encouraging self-expression and self-esteem for individuals with disabilities. He also questions the intersection of the world where the concept of being able or disabled meets.

Radili smo u starom zatvoru, pa je najlogičnija ideja i bila da snimimo film o zatvoru.

Sedamnaestero stalnih i još sedmero povremenih sudionika u četiri dana smislilo je priču – avanturu, jer avanture su nam najdraži žanr na Kotorskom festivalu!

Zatim smo crtali knjigu snimanja, izrađivali filmski set i na kraju dva dana naporno snimali.

I voila – nastala je “Igra zaključanih vrata”.
Škicnite i uživajte!!

Mentori: Anja Pletikosa i Niko Radas

Sudionici: Vukašin Radenović, Petra Radenović, Lucija Saulačić, Paulina Kovač, Đorđa Perović, Anja Krivokapić, Ognjen Simović, Dijana Adrović, Čarna Marković, Tatjana Vučetić, Sofija Stanišić, Luka Kovačević, Anika Janjušević, Marta Janjušević, Uroš Proročić, Lara Possenti Šarenac i Marko Possenti Šarenac

Po Odluci dječjeg žirija koji je radio u sastavu: Ena Kaluđerović, Zoja Vasiljević, Karla Biskupović, Ksenija Kovačević, Kosta Ćetković, Lana Kašćelan, Lana Janović, Milica Kovač, Nevena Savić, Nina Jovanović, Irina Radulović, Lola Matković, Talia Hofman, Đeljana Ibraimi, Tatjana Lučić i Đorđe Punošević, ove godine je nagrada “Dragan Radulović” pripala predstavi “Mulan” Pozorišta za decu i mlade Kragujevac.

“Donijeli smo odluku da nagradu zaslužuje predstava koja je na nas ostavila najjači utisak skladom između svih elemenata – glume, scenografije, rekvizite, kostima, muzike i koreografije, predstava koja je na maštovit i nov način ispričala poznatu priču i pored niza ideja koje nam je pružila, nas je naučila da smo svi jednaki i da – ako smo dovoljno uporni i istrajni – možemo da ostvarimo sve što poželimo” – navodi se, pored ostalog, u obrazloženju koje je ispred dječjeg žirija pročitala Irina Radulović.

Predstava “Mulan” rađena po uzoru na tradicionalnu kinesku Poemu o Mulan odnosno pjesmu o djevojci koja je, kako bi zaštitila svog oca, umjesto njega otišla u rat, zapravo je priča koja govori o besmislenosti rata i o tome koliko su neke naše unutrašnje borbe, koje svi vodimo, mnogo važnije i potrebnije ovom svijetu. U pitanju je priča o različitosti, pripadanju, hrabrosti, prijateljstvu i povjerenju.

U ime žirija grada koji čine i Jelena Kaluđerović, Ljiljana Kocka, Iva Gudelj i Andrea Zvicer, Odluku je pročitala Ana Lalošević.

“Donijeli smo odluku da nagradu žirija grada Kotora, zbog usklađene igre i sinergije glumaca, lutaka i muzike, dodijelimo predstavi Pozorišta za djecu i mlade iz Skoplja “Ronja, kći razbojnika”. Sveopšti utisak je da kroz svoju kompleksnost, ova predstava prije svega nosi optimističnu poruku o drugarstvu koje pobjeđuje. Posebno se ističu promišljena scenografska rješenja koja, između ostalog, doprinose magiji koju nam donosi ova priča. Predstava Ronja, kći razbojnika, podsjeća nas da je najvažnije od svega prihvatiti različitosti i da samo na taj način možemo prevazići prepreke” – rekla je, pored ostalog, Lalošević.

U fokusu radnje u predstavi “Ronja, kći razbojnika” su djeca čiji su roditelji članovi dvije rivalske bande. Dvoje djece koja pripadaju dvijema različitim bandama započinju potpuno novu avanturu i stvaraju svoj sopstveni način života. Njihova priča je priča o prijateljstvu i snažnoj povezanosti dvije iskrene duše.

Naslovna Fotografija: Krsto Vulović